THE MODERN PANTOMY: DIFFERENCES BETWEEN METHODS OF MARSEL MARSO AND MICHAEL COUTERMANCH

Authors

  • Mannonov Sardor Shukhratjonovich Teacher, Uzbek State Institute of Arts and Culture, Author

DOI:

https://doi.org/10.61841/cre7vd27

Keywords:

mimicry, articulation, monomim, imagination, masked pantomime, work with imaginary objects, silence, gamma of acting skills, voiceless pantomime, modern pantomime.

Abstract

 The article analyzes the means of expression, styles, peculiarities of the art of mime in the art of mime - representatives of modern pantomime art - Marcel Marceau and Michel Koutermansh. In the example of the two creators of pantomime, wordless and voiceless, masked and unmasked performance styles are considered. The technique of working with imaginary objects in modern pantomime and its importance in the work of a pantomime actor is analyzed.

 

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References

1. Ethen Dekru. A word about mime / M .: Truth of the North. 1992th. p-52

2. R.E. Slavsky. The art of pantomime / M.: Art, 1962. 44-p

3. Markova E.V. Modern foreign pantomime. La mime / E.V. Markova. - M.: Art, 1985y. 58-p

4. Christie G.V. Education actor Stanislavsky school / G.V. Christie. - M.: Art, 1968. 98-p

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Published

30.11.2020

How to Cite

Shukhratjonovich, M. S. (2020). THE MODERN PANTOMY: DIFFERENCES BETWEEN METHODS OF MARSEL MARSO AND MICHAEL COUTERMANCH. International Journal of Psychosocial Rehabilitation, 24(9), 4235-4239. https://doi.org/10.61841/cre7vd27