Modernist turn in Tragicomedy

Authors

  • Neha Garbyal Master of Arts in English, Lovely Professional University, Punjab, India. Author

DOI:

https://doi.org/10.61841/na5n5k61

Keywords:

Corruption, playfulness, unique, debated., Principals’ staff personnel management

Abstract

 This study examines the historical relationship between tragicomedy in the modern theatre and the play culture of Western consumer communities. When it comes to the variety of playwrights, it focuses on the work of Samuel Beckett, Harold Pinter and Sam Shepard. Their plays, debated, shed light on the forms of happiness, fear, work and corruption that dominate our daily lives. Tragicomedy is seen as unique in the playfulness and confusion of its opponents, and because of its silent vision of the apocalypse in the nuclear age. 

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References

1. Bloom, Harold. George Bernard Shaw’s Major Barbara. New York: Chelsea House, 1988. Print.

2. https://link.springer.com

3. Dutton, Richard. Modern tragicomedy and the British tradition. Norman: University of Oklahoma Press,

1986. Print.

4. https://literarydevices.net

5. Ibsen, Henrik, and Max Faber. The Wild Duck. London: Heinemann, 1964. Print.

6. https://www.jstor.org

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Published

30.04.2021

How to Cite

Garbyal, N. (2021). Modernist turn in Tragicomedy. International Journal of Psychosocial Rehabilitation, 25(2), 121-125. https://doi.org/10.61841/na5n5k61