Upanyas Samrat Munshi Premchand: A Social Reformer
DOI:
https://doi.org/10.61841/qwywxv62Abstract
The advent of Modern period in Hindi is considered from the 1900’s. In the beginning modern Hindi literature was centered on the magical and fairy tales, entertaining the readers with imagination. Born as Dhanpat Rai Srivastav, he began his career as a freelance writer under the pen name “Nawab Rai”, but when his work ‘soz-e- watan’, a collection of short stories was seized by the British government and burnt, after this he started writing in Hindi, with the name Mushi Premchand. Premchand usually referred to as the ‘Tolstoy of India’ shaped the Hindi literature into a reality. He conquered the literary genre as a novelist, story writer and as a dramatist, and istitled as the ‘Upanyas Samrat’ (Emperor of Novels) in Hindi Modern literature. He gave a new dimension to the Hindi literary world by depicting reality of the society to the readers. He entered the Hindi literary world in the year 1917 with his novel, ‘Sevasadan’. He has penned 17 novels and more than 300 short stories whichportrayed the social issues prevalent in the society during his time. He raised his voice against the feudal system, the zamindari system, poverty, communalism, caste system, and the social and economic conditions prevalent in the society. He even mentioned the discrimination the females faced in the society. He fought against the dowry system, widow marriages and opined that women have to come out and express her feelings against the social evils and discriminations showed on her. He wrote on the life around him and made the readers aware about the social structure around them. He portrayed the common man in his work’s giving them the status of heroes and heroines by depicting the problems faced by them. Thus he presents to us the real India.
The review highlight’s how Premchands works have influenced various genres of Hindi literature about the social issues and the struggle of the poor and how through the characters the change that could be brought in.Premchand’s works also portrayed the women in society who can be classified into traditional, modern women. The following literature review attempts to demonstrate and support the objective of the study.
Downloads
References
1. Obeyese, Rajini. “Women’s Right and Roles in Premchand’s Godan- A literary analysis”, Journal ofSouth Asian Literature, Vol.21, No.2, Essays on Premchand Summer, fall 1986. 57-64
2. Pandey, Geetanjali. “How Equal? Women in Premchand’s writings.” Economic and Political weekly,Vol.21, No.50, Dec.13, 1986.2183-2187.
3. Ghose, Vijaya. “The world of Premchand.” From the book review archives. The Good books trust, 2012.
4. Sharma, Krati & Yadav, Suman. “Study of gender Exploitation in Vidhwans and Garib ki hai, Stories by Munshi Premchand. Research Scholar (An International refereed e Journal literary explorations). Vol. II, Issue III, August 2014.339-344.
5. Dalwar, Jagdish Lal. “Representation of Popular culture in Premchand’s works.” Social Scientist, Vol. 24, No.275- 277, April- June 1996. 109
6. Rai, Sara. “Realism as creative process: Features of Munshi Premchand’s Ideology.” Social Scientist, Vol. 7, No.84, July 1979. 32-42.
7. Shelke, Vishnu. “Realism and Symbolism in Munshi Premchand’s Godan.” Indian streams Research Journal, 2012- Vol II, Issue IX. 1-2
8. Sundram, Rahul Singh. “Social Dominance and class struggle in Premchand’s the gift of a cow.” Anglisticum Journal, Vol.4, Issue 9-10, 2015.217-219.
9. Translation by Tiwari, Nishi. “Life and Ideals of Premchand.” By Singh, Namwar. Hindi Language, Discourse: A journal of Mahatma Gandhi Antrashtriye Hindi Vishwavidyalaya. Vol.7, Issue 1, Jan- March 2012. 41-44
10. Gupta, Charu. “Portrayal of women in Premchands stories: A critique.” Social Scientist, Vol.19, Issue No. 5/6 1991. 88-113.
11. Kumar, Sanjay. “Gadya Sahitya mem Premchand ka yogdan aur unki Sampradayikta.” Indian Journalof Research, Vol.3 Issue.2, 2014. 280
12. Jandl, Thomas. “The Gift of a cow: A translation of the classic Hindi novel Godan by Premchand (Translated by Gordan Roadarmel). Yale Journal of International Affairs. Summer/Fall 2005. 201-203.
13. Asturby, Jesse. “Exploitation and conscience in Premchand.” The Annual of Urdu studies. 1996.266- 26946
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.