Critical Reviews of Toni Morrison’s The Bluest Eye and Song of Solomon
DOI:
https://doi.org/10.61841/cc0hj128Keywords:
Ecology, Feminism, Morrison, Racism, PsychoanalysisAbstract
This paper attempts to review Toni Morrison’s The Bluest Eye and Song of Solomon from different critical perspectives. The significance of this review is to provide ample evaluation of the novels in various critical contexts that might enable researchers to conceptualize Morrison’s contemporary perception of her people and society in diverse literary styles. In addition, the study tries to open new literary horizons for readers to perceive the precise fictional modes utilized by Morrison to depict reality outside the texts. For this reason, studying Morrison form many perspectives would lead academic researchers to have sufficient knowledge of her influence upon the American literature in particular and world literature in general. As such, the study will find that the selected novels are meticulous replicas of Morrison’s’ writing style as well as her portrayal of reality. Thus, the selected works will be approached by pursuing different critical disciplines, like feminism, racism and psychoanalysis which have been applied to discover various themes in the selected works.
Downloads
References
1] Abu Jweid, A. (2016). The fall of national identity in Chinua Achebe’s Things Fall Apart. PERTANIKA, 23(5), 529 - 540.
[2] Belaid, I. H. (2016). Beauty as a cultural aspect in Toni Morrison's The Bluest Eye. Diss. University of Tlemcen, Algeria. Web. 18 April.
2019.
[3] Dar, N. A., Mir, M. G., &Ganaie, A. J. (2018). Racism: Toni Morrison's The Bluest Eye a Mouthpiece of Cloured People. International
Journal of Research in Social Sciences & Humanities, 6, 939-944.
[4] Fletcher, J. (2006). Signifying Circe in Toni Morrison's Song of Solomon. The Classical World,99(4), 405-418.
[5] Haque, F. (2016). The black community’s ideologies regarding whiteness in Toni Morison’s The Bluest Eye: A comparative study between
the American standard of beauty and racism. International Journal of English Literature and Culture, 4(7), 132-137.
[6] Khaleghi, M.(2011). The quest for authenticity and cultural identity: A study of Toni Morrison’s Song of Solomon. TheCriterion: An
International Journal in English, 2(4), 107-114.
[7] Khan, H. R., &Rahman, S. (2014). The framework of racism in Toni Morrison’s The Bluest Eye: A psychosocial interpretation. Advances
in Language and Literary Studies,5(2), 25-28.
[8] Morriosn, T. Top of FormMorrison, T. (1977). Song of Solomon. London: Vintage Books.
[10] ———.(1970). The Bluest Eye. New York: Alfred A. Knopf.
[13] Qasim, K. (2012). Black women’s quest for subjectivity: Identity politics in Toni Morrison’s novels: Song of Solomon&Beloved.
International Journal of Applied Linguistics & English Literature, 1(2), 85-90.
[14] Sanasam, R. (2013). African culture, folklore and myth in Toni Morrison’s Song of Solomon: Discovering Self Identity. The Echo: A
journal of Humanities & Social Science, 2(1), 61-61.
[15] Serangi, I., &Pattnaik, M. (2017). Racial and sexual intolerance in The Bluest Eye. The Creative Launcher, 2(4), 406-421.
[16] Tidey, A. (2000). Limping or flying? Psychoanalysis, afrocentrism, and Song of Solomon. College English,63(1), 48-70.
[17] Trisnawati, K. R. (2016). Toni Morrison's The Bluest Eye: When beauty turns out to be hegemony. Journal of English and Education,2(1),
67-91.
[18] Zhirui, D. (2016). Ecological Feminism in The Bluest Eye. Advances in Social Science, Education and Humanities Research, 87, 423-476
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Author
This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.