Deconstructing Socio-Psychological Prejudices: A Study of Mahesh Dattani‟s“Bravely Fought The Queen”
DOI:
https://doi.org/10.61841/91wz4702Keywords:
Indian English Fiction,, Postmodern Drama, Homosexuality, Gender Trouble,, HypocrisyAbstract
Mahesh Dattani is a leading Indian playwright who writes in English. He is the first such writer who has been bestowed the national SahityaAkademi Award for his contribution to the field of English drama. What distinguishes him from run-of-the-mill dramatists is his reformatory zeal, something that puts him in league with the likes of G.B. Shaw. His themes are invariably linked to present-day problems of socio-cultural importance. Thus, Dattani’s plays touch upon gay and lesbian relations, status of the marginalized sections like neutars, women, children and physically challenged people. Besides, he has written on victims of AIDS and communal riots. In the play “Bravely Fought the Queen,” we come across his sharp disapproval of social hypocrisy as reflected in various rules governing women, family and social life. He rips the veneer off the face of people leading inauthentic lives in matters of sexual preference and loyalty towards life partner. In addition to it, Dattani also underlines the immoral lure of the lucre which is prioritized over all moral values even as people feign otherwise. My paper aims to bring out this characteristic of Dattani’s approach taking into account the impact as made out from critiques.
Downloads
References
1. Batra, Jagdish. “The Shavian Heroine of Mahesh Dattani‟s Dance Like a Man.” The CriticalEndeavour, Vol. XVI, 2010, pp 216-225.
2. Dattani, Mahesh. Collected Plays, Vol. I. New Delhi: Penguin, 2000.
3. . Collected Plays, Vol. 2. New Delhi: Penguin, 2005.
4. Das, Sangeeta. “The Sensational Issues in the Plays of Mahesh Dattani”, The Plays of Mahesh
5. Dattani: A Critical Response. Ed. R.K. Dhawan and Tanu Pant. New Delhi: Prestige, 2008.
6. Dhar, Subir, “Where There is a Will and Bravely Fought the Queen: The plays of Mahesh
7. Dattani”, The Plays of Mahesh Dattani, ed. R.K.Dhawan and Tanu Pant. New Delhi: Prestige Books, 2005
8. Dhawan, R.K. and Tanu Pant, ed. The Plays of Mahesh Dattani: A Critical Response. New Delhi: Prestige Books, 2005.
9. Kumar, Sanjiv& Prakash Bhadury. “Mahesh Dattani‟s Delineation of Women as a Marginalized Identity in
„Bravely Fought the Queen‟.” Veda’s Journal of English Language and Literature, vol. 5.2 (2018), pp. 163- 167.
10. Lodge, David. Modern Theory and Criticism.Essex, UK: Harlow, 1988.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.