Museum Monumentation: a Fight for R.A Kartini Identity as a Tourist Attraction
DOI:
https://doi.org/10.61841/gcaq6m36Keywords:
Museum, Monumentation, R.A Kartini, Identity, Tourist Attraction.Abstract
This article outlines monumentation of R.A Kartini, a national hero, situated in two cities. R.A Kartini is simply immortalised to become museums’ identity with a twin name, but in different areas and with different management. As a hero, she has monumented on a national scale in every 21stApril known as Kartini Day. Researchers relied on data taken from observation process, in depth interview, and a questioner given to 100 respondents. An outcome of the analysis reveals that monumentation process towards R.A Kartini was just restricted to historical narration and normative activity conducted all at once on Kartini Day. As a result, there isa bias for the identity of “Kartini City” since people do not even exactly recognize where is the location of R.A Kartini museum as a tourism object. Concisely, we submitthat the monumentation process can be directed to a clear, focus, and specific territorial identity which positively affects the number of museum visitors as a monumentation tangible.
Downloads
References
[1] Unesco, Role of Museums in Education and Cultural Tourism Development: Policy Brief. Kyiv: Ukrainian Committee of Icom, 2012.
[2] T. Stylianou-Lambert, N. Boukas, and M. Christodoulou-Yerali, “Museums and cultural sustainability: stakeholders, forces, and cultural policies,” Int. J. Cult. Policy, vol. 20, no. 5, pp. 566–587, 2014.
[3] C. Camarero and M. J. Garrido, “Fostering Innovation in Cultural Contexts: Market Orientation, Service Orientation, and Innovations in Museums,” J. Serv. Res., vol. 15, no. 1, pp. 39–58, 2012.
[4] T. Pencarelli, M. Cerquetti, and S. Splendiani, “The Sustainable Management of Museums: An Italian Perspective,” Tour. Hosp. Manag., vol. 22, no. 1, pp. 29–46, 2016.
[5] T. Ambrose and C. Paine, Museum Basics, 3rd ed. New York: Routledge, 2012.
[6] A. Dimache, A. Wondirad, and E. Agyeiwaah, “One museum , two stories : Place identity at the Hong Kong Museum of History,” Tour. Manag., vol. 63, no. 2017, pp. 287–301, 2017.
[7] S. Pusa and L. Uusitalo, “Creating Brand Identity in Art Museums : A Case Study,” Int. J. Artsd Manag., vol. 17, no. 1, pp. 18–30, 2014.
[8] S. M. Rowe, J. V Wertsch, and T. Y. Kosyaeva, “Linking Little Narratives to Big Ones : Narrative and Public Memory,” Cult. Psychol., vol. 8, no. 1, pp. 96–112, 2002.
[9] M. N. Aly, “Strategi Pengembangan Even di Museum untuk Meningkatkan Kunjungan ke Museum R.A Kartini Rembang,” J. Media Wisata, vol. 16, no. 1, pp. 698–708, 2018.
[10] P. J. Boylan, Running a Museum: A Practical Handbook. Paris: International Council of Museums (ICOM), 2004.
[11] M. A. Sutaarga, Pedoman Penyelenggaraan dan Pengelolaan Museum, 4th ed. Jakarta: Departemen Pendidikan dan Kebudayaan, 1998.
[12] S. S. Kim, D. J. Timothy, and H. Han, “Tourism and political ideologies : A case of tourism in North Korea,”
Tour. Manag., vol. 28, no. 2007, pp. 1031–1043, 2007.
[13] M. Azaryahu and Æ. K. E. Foote, “Historical space as narrative medium : on the configuration of spatial narratives of time at historical sites,” GeoJournal, vol. 73, pp. 179–194, 2008.
[14] M. Azaryahu, “Cultural Geographies RePlacing M em ory : the reorientation of Buchenwald,” Cult. Geogr., vol. 10, pp. 1–20, 2003.
[15] A. Hoffman, “Everything you should know about Monumentation!,” 2013. [Online]. Available: https://ghhllc.com/blog/civil-engineering-blog-bid-312966-everything-you-should-know-about- monumentation. [Accessed: 18-Dec-2019].
[16] K. Mitchell, “Progress Report: Monuments, Memorials, and the Politics of Memory,” Urban Geogr., vol. 24, no. 5, pp. 442–459, 2003.
[17] O. J. Dwyer, “Symbolic accretion and commemoration,” Soc. Cult. Geogr., vol. 5, no. 4, pp. 419–435, 2004.
[18] F. Bernardo and J. M. Palma, “Place Change and Identity Processes Place Change and Identity Processes,”
Medio Ambient. y Comport. Hum., vol. 6, no. 1, pp. 71–87, 2005.
[19] H. M. Proshansky, “The City and Self_Identity,” Environ. Bhavior, vol. 10, no. 2, pp. 147–169, 1978.
[20] M. Lalli, “Urban-Related Identity: Theory, Measurement, and Empirical Findings,” J. Environ. Psychol., vol. 12, pp. 285–303, 1992.
[21] P. Kotler and D. Gertner, “Country as Brand , Product , and Beyond : A Place Marketing and Brand Management Perspective,” in Destination Branding: Creating the Unique Destination Proposition, 2nd ed., no. April, N. Morgan, A. Pritchard, and R. Pride, Eds. Oxford, 2002, pp. 40–56.
[22] D. L. Uzzell, “Creating place identity through heritage interpretation,” Int. J. Herit. Stud., vol. 1, no. 4, pp. 219–228, 1996.
[23] M. Riza, N. Doratli, and M. Fasli, “City Branding and Identity,” in Asia Pacific International Conference on ENvironment-Behaviour Studies, 2011, no. December 2012, pp. 293–300.
[24] N. E. Abalmasova and E. A. Pain, “Symbolic Management in Creating Regional Identity,” Reg. Res. Rusia, vol. 1, no. 3, pp. 275–284, 2011.
[25] D. Marihandono, N. Khozin, D. Arbaningsih, and Y. B. Tangkilisan, Sisi Lain Kartini. Jakarta: Museum Kebangkitan Nasional Kementerian Pendidikan dan Kebudayaan Republik Indonesia, 2017.
[26] S. Soeroto, Kartini: sebuah Biografi, 6th ed. Jakarta: Djambatan, 2001.
[27] Disporpar, Statistik Pariwisata Jawa Tengah 2015-2018, 1st ed. Semarang: Dinas Kepemudaan, Olahraga, dan Pariwisata Provinsi Jawa Tengah, 2018.
[28] O. J. Dwyer and D. H. Alderman, “Memorial Landscapes : Analytic Questions and Metaphors,” GeoJournal, vol. 73, pp. 165–178, 2008.
[29] K. Lynch, What Time Is This Place?, 1st ed. Massachusetts: MIT Press Media, 1972.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
