ARAVIND ADGIA’S THE SELECTION DAY: AN OVERVIEW
DOI:
https://doi.org/10.61841/wypz1x74Keywords:
Aravind Adgia’s the Selection Day: An OverviewAbstract
Adiga’s fourth work, Selection Day, is set in the world of cricket in Mumbai.The novel primarily deals with the hidden realities asspciated with Indian cricket in the present times. IT ALSO FOCUSES on the conflict of interest between mney and talent, caste and capacity, and resourcefulness and manipulation. The novelist has also analyzed the politics economics of cricket which has lost credibility and reputation in India over a period of time. The novel throws light on the social and economic aspects of INDIAN CRICKET. Adiga has delivered a clear message that cricket has been polluted because of the politics and other unprofessional considerations in India. Adiga has emerged as a prolific writer in the present times. He gets under the skin of these characters and writes about them with insight, empathy, concern and commitment. All his works have great social and political concerns and implications. The works of Adiga are considered as welcome additions to the body of knowledge in English Commonwealth Literature. All the works are indeed penetrating pieces of social and political commentaries which warrant the attention of the stakeholders of governance and development in India.
Downloads
References
1. Adiga, Aravind (2016) Sclection Day, Fourth Estate, Harper Collins Publishers India, Noida, Uttar Pradesh, India, p.28.
2. Adiga, Aravind (2016) Selection Day, op.cit. p.32.
3. .Adiga, Aravind (2016) Sclection Day, op.cit. p.35.
4. Adiga, Aravind (2016) Selection Day, op.cit. p.40.
5. Adiga, Aravind (2016) Selection Day, op.cit. p.41.
6. Adiga, Aravind (2016) Selection Day, op.cit. p.48.
7. Adiga, Aravind (2016) Selection Day, op.cit. p.56.
8. Adiga, Aravind (2016) Selection Day, op.cit. p.61.
9. Adiga, Aravind (2016) Selection Day, op.cit. p.65.
10. Adiga, Aravind (2016) Selection Day, op.cit. p.73.
11. Adiga, Aravind (2016) Selection Day, op.cit. p.89.
12. Adiga, Aravind (2016) Selection Day, op.cit. p.94.
13. Adiga, Aravind (2016) Selection Day, op.cit. p.113.
14. Adiga, Aravind (2016) Selection Day, op.cit. pp.127-128.
15. Adiga, Aravind (2016) Sclection Day, op.cit. p.146.
16. Adiga, Aravind (2016) Selection Day, op.cit. p.224.
17. Bhattacharya, Soumya (2016) Selection Day, Book Review, Hindustan Times, September 24, www.hindustantimes.4n
18. Charles, Ron (2016) "Selection Day': Two brothers and an obsessed dad seek a ticket out of poverty,The Washington Post, December 30, www.washingtonpost.com
19. Garewal, Sartaj (2017) Sekction Dayby Aravind Aiga, Audio Fik, Februay, www.aciofikmgvinccom
20. Garner, Dwight (2017) Review: 'Selection Day' Presents India as Seen Through the Wickets, The New York Times, January 3, www.nytimes .com
21. Gupta, Neeta (2016) Aravind Adiga's 'Selection Day' shows cricket for what it is: an area of darkness in urban India, September 17, scroll.in, www.scroll.in
22. Mayer, Erich (2016) Selection Day by Aravind Adiga, Publishing Arts Hub, August 30, www.publishing artshub.com.au
23. McCartney, Tammy (2017) Selection Day: A Novel. Tulsa Book Review, January 03. www.tulsabookreview.com
24. Menon, Vandana (2017) Selection Day' is also about finding one's place in post-liberalisation urban India, The Print, Nvember 17, www.theprint.in
25. Philip Maughan (2016) For all its flaws, Selection Day is still better to read than cricket is to watch, News Statesman, September 20, www.webcache googleusercontent.com
26. Powers, Katherine A. (2017) Selection Day by Aravind Adiga, Review bamesandnoble, January 11, www.bamesandnoble.com
27. Quinn, Annalisa (2017) Cricket and Difficult Choices in 'Selection Day', Book Review, January 8, NPR Books, www.npr.org
28. Singh, Manish (2017) Netflix Announces 2 More Original Series From India: Selection Day, Again,
29. Upchurch, Michael (2017) In 'Selection Day, ‘boys try to meet cricket-crazed father's high expectations, Chicago Tribune, January 5, www.chicagotribune.com
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.