SALMAN RUSHDIE‟S NOVEL MIDNIGHT’S CHILDREN: AN ACCOUNT OF RETRACING HISTORICAL EVENTS FOR AUTHENTICITY
DOI:
https://doi.org/10.61841/xmr6z558Keywords:
History, Events, self-reflexivity, AuthenticityAbstract
History is the collection of the events of the past that is recorded and preserved for the understanding of ancient times. Understanding the history is necessary to understand the present but not all the history is recorded objectively. History at all times may not be the mere collection of facts it may be sometimes what historians write. Thus the authenticity of the history has to be examined. Salman Rushdie in his famous novel Midnight’s children has made an attempt to record the events of the history through the experience of his protagonist Saleem Sinai. Salman Rushdie is an Indian born British novelist and essayist popular for his historical fiction most of it set in Indian subcontinent. With the blend of magical realism and self-reflexive style Salman Rushdie published Midnight's Children in 1981 that fetched him Booker Prize and was deemed to be "the best novel of all winners". The novel deals with the journey of India from British colonialism to independence and the partition of India. This paper analyses the authenticity of the history by retracing the events recorded by Salman Rushdie in his novel Midnight’s Children.
Downloads
References
1. Rushdie, Salman.(1995). Midnight’s Children. Vintage,Print.
2. Budd, Adam.(2009). The Modern Historiography Reader. Oxon: Routledge Publication, Print.
3. Dwivedi O.P.(2009). Nation and History: A Postcolonial Study of Salman Rushdie‟s Midnight‟s Children (1981). Journal of Alternative Perspectives in the Social Sciences, 1(2), 498-522.
4. Gao, Yang.(2017). A New Historical Approach to Midnight's Children. Advances in Social Science, Education and Humanities Research, volume 119, 1765-1770.
5. Hutcheon, Linda. (2008). The Politics of Post Modernism: Parody and History. Cultural Critique 5, 179-
207. JSTOR. Web. 15 Jan. 2017. <http://links.jstor.org/sici?sici=0882>
6. Jadhav, Shrikan. (2016). Problematizing History in Salman Rushdie‟s Shame. Epitome Journals 2.12 (2016): n. pag. Web. 12 Jan. 2017.
7. Kumanan, S. (2016).The theme of partition in Salman Rushdie‟s Midnight’s children.International Journal of English Research 2(6), 20-26. Web. 14 Jan. 2017.
6-11>
8. Malhotra, Inder. (2009), All that Glitters is Not Sold. Archive 4(3) : n. pag. Web. 12 Jan 2017.
archive.indianexpress.com/news/all-that-glitters-is-not-sold/425814>
9. Mitra, Reena. (2006). Salman Rushdie’s Midnight’s Children. New Delhi: Atlantic Publishers, Print.
10. Parande V & Nagaratna. (2016). Post Modern Elements in Midnight‟s Children.Journal of Higher Education and Research Society: A Referred International 4(2) : n.pag. Web. 8 Jan. 2017.
<https://www.ijelr.in/2.2.15/1823%20Dr.%20C.%20ARUN.pdf>
11. Riemenschneider, Dieter. (1984). “History and the Individual in Salman Rushdie's Midnight's Children and Anita Desai's Clear Light of Day” Kunapipi 6(2): n. pag. Web. 12 Jan 2017.
12. Sharma, Anita. (2015). “Conflation of Colonial History and fiction: Re-visiting Salman Rushdie‟s Midnight‟s Children.” Asian Journal of Multidisciplinary Studies 3(7): n.pag. Web. 12 Jan. 2017. www.ajms.co.in/sites/ajms2015/index.php/ajms/article/view/1222
13. Shrishailya, T. Todkar. (2015). History in Salman Rushdie‟s Midnight‟s Children. Literary Cognizance- International Refereed e-Journal of English Language, Literatures &Criticism, 1(1), 52-55.
14. Ten Kortenaar, Neil. (2005). Self, Nation, Text in Salman Rushdie’s “Midnight’s Children”. Canada: McGill-Queen's Press. Print.
15. Vaidhyanathan, G. (2002). Salman Rushdie’s Midnight’s Children. Agra: Lakshmi Narain Agarwal publisher, Print.
16. Vanisree, M & Charyulu, Mohana. (2015). Historical and Political Catastrophe in Salman Rushdie‟s Midnight‟s Children. The English Literature Journal, 2(4), 435-438.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.