Interdisciplinary Integration in the Learning Process of Students in Humanities
DOI:
https://doi.org/10.61841/3hke9614Keywords:
interactivity, , Miniature Composition, Intuition, Intellect, Scientific Cognition,, Creative Project, Students, , Artist Teacher, Design, Methods of Activating the Creative ProcessAbstract
The paper analyzes the process of interdisciplinary integration, learner-centered and interactive approach in teaching future teachers in humanities.
The aim of the work is to analyze the subject matter of synthesis and the process of integration, which consists of creative forces: artistic intuition and intellect of future humanitarians. The methods and results justify the importance of interdisciplinary integration in the learning process of students in humanities, which is considered leaning on individual and interactive approaches.
The essence of teacher's professional individuality lies in an efficient self-consciousness that includes a reasonable position of personality, internal system of abilities, harmony and integrity, continuous self-development and formation of a personality, acquisition of competencies and self-assertion, self-actualization and realization of individual value in personal and social factors.
In education, the professional individuality is described as a progressive phenomenon, multilevel system, or a personal life agenda. The subject matter of the interconnection between intuition and intellect in the scientific cognition of the existing reality is revealed. The authors also describe the methods promoting activation of creative activity are given.
Downloads
References
[1] Arnkheym, R. (2007). Iskusstvo i vizual'noe vospriyatie [Art and visual perception]. Moscow: Arkhitektura, 390p.
[2] Al'tshuller, G.S. (1988). Tvorchestvo kak tochnaya nauka [Creativity as an exact science]. Kazan: Izd-vo Kazan. kn-ta, 212p.
[3] Ayzekson, U. (2012). Stiv Dzhobs [Steve Jobs]. Moscow: Astrel', CORPUS, 704 p.
[4] Baskakov, A.Ya. & Tulenkov, N.V. (2002). Metodologiya nauchnogo issledovaniya [Scientificкesearch methodology]. Kiev: MAUP, 96–97.
[5] Beda, I.V. (1989). Osnovy izobrazitel'noy gramoty [Fundamentals of fine arts]. Moscow: Prosveshchenie, 192p.
[6] Blokh, O.A. (2015). Pedagogika i psikhologiya muzykal'nogo tvorchestva [Pedagogy and psychology of musical creativity]. Moskovskiy gosudarstvennyy universitet kul'tury i iskusstv, 156p.
[7] Varfolomeeva, T.P. (2008). Istoriya psikhologii [History of psychology]. Samara: SGPU, 152p.
[8] Vashchenko, G.A. (2000). Trudy po pedagogike i psikhologii [Works in pedagogy and psychology]. Moscow: Shkol'nik-Fada LTD, 192p.
[9] Gil'manov, S.A. (1996). Tvorcheskaya individual'nost' uchitelya [Teacher's creative individuality]. Moscow: Smysl, 43p.
[10] Grinenko, I.V. (2008). Pedagogicheskie usloviya razvitiya kreativnosti budushchikh uchiteley gumanitarnogo profilya v protsesse professional'noy podgotovki [Pedagogical conditions for the development of creativity in future teachers of humanities in the process of professional training]. Ternopol, 20p.
[11] Grushevsky, S.P. (2001). Pedagogika i psikhologiya vysshey shkoly [Pedagogy and psychology in higher school]. Krasnodar, 385p.
[12] Zimnyaya, I.A. (2004). Klyuchevye kompetentnosti kak rezul'tatno-tselevaya osnova kompetentnostnogo podkhoda v obrazovanii [Key competencies as a result target basis of competence approach in education]. Moskcow: Issledovatel'skiy tsentr problem kachestva podgotovki spetsialistov, 40p.
[13] Kondakov, N.I. (1975). Logicheskiy slovar'-spravochnik [Reference dictionary in logic]. Moscow: Nauka, 415.
[14] Kraevskyб V.V. (2000). Metodologiya pedagogicheskoy nauki [Pedagogical science ethodology]. Moscow:
Dashkov i K', 82
[15] Kuzin, V.S. (2005). Psikhologiya zhivopisi: uchebnoe posobie dlya vuzov [Painting psychology: university coursebook]. Moscow: Oniks 21 vek, 304p.
[16] Levit, S.Ya. (1998). Kul'turologiya 20 vek [Culturology of XX century]. Sankt-Peterburg: Univerkniga,
114.
[17] Nazarova, N.M. (1998). Ponyatie integratsiya v spetsial'noy pedagogike [Concept of "integration" in special pedagogy]. Ekaterinburg, 262p.
[18] Nemensky, B.M. (1987). Mudrost' krasoty [Wisdom of beauty]. Moscow: Prosveshchenie, 255p.
[19] Nesterenko, V.V. (2012). Sushchnost' i zadaniya lichnostno-orientirovannogo podkhoda v obrazovanii [Essence and tasks of the student-centered approach in education]. Moscow: Sovremennye problemy nauki i obrazovaniya, 15p.
[20] Petrenko, M.A. (2016). Interaktivnaya tekhnologiya razvitiya tvorcheskoy aktivnosti [Interactive technology for the development of creative activity]. Cheboksary: TSNS "Interaktiv plyus", 50p.
[21] Rostovtsev, N.N. (1995). Akademicheskiy risunok [Academic drawing]. Moscow: Prosveshchenie, 239p.
[22] Rubinshteyn, S.L. (2007). Osnovy obshchey psikhologii [Fundamentals of general psychology]. Sankt- Peterburg: Piter, 713p.
[23] Ushinsky, K.D. (1954). Izbrannye pedagogicheskie sochineniya [Collected works in pedagogy]. Moskva: Uchpedgiz, 735p.
[24] Chaplygina, O.V. (2003). Pedagogicheskie usloviya razvitiya tvorcheskoy individual'nosti studentov [Pedagogical conditions for the development of creative individuality in students]. Kursk, 163p.
[25] Shorokhov, E.V. (1979). Osnovy kompozitsii [Basics in composition]. Moscow: Prosveshchenie, 303p.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.